HSC English Extension 1 exam: Wed 28 Oct, 1:50pm — 18 days away

ATARMAxxing · English Extension 1

HSC English Extension 1 Practice Exams with Worked Solutions

20 full-length papers · worked solutions for every question

The 20 practice exams inside the HSC English Extension 1 Mastery Pack, each set out like the real paper with a separate worked-solution guide. Open any paper to see what it covers.

  1. Practice Exam 150 marks · 2 questions · 2 sections
    • Section A — imaginative/creative composition informed by the Common Module: Literary Worlds (threshold/border stimulus, with reflection) — ~25 marks
    • Section B — critical essay on Elective 1: Literary Homelands (belonging, displacement and the imagined homeland) using a prescribed text and a related text — ~25 marks
    • Whole-course coverage: Literary Worlds framework + Literary Homelands elective; sustained imaginative and critical responses under timed conditions — 50 marks
  2. Practice Exam 250 marks · 2 questions · 2 sections
    • Section A — imaginative/creative composition informed by the Common Module: Literary Worlds (object/voice stimulus on memory and rupture, with reflection) — ~25 marks
    • Section B — critical essay on Elective 2: Worlds of Upheaval (crisis, power and survival) using a prescribed text and a related text — ~25 marks
    • Whole-course coverage: Literary Worlds framework + Worlds of Upheaval elective; sustained imaginative and critical responses under timed conditions — 50 marks
  3. Practice Exam 350 marks · 2 questions · 2 sections
    • Section I — Common Module: Literary Worlds imaginative composition (thresholds, borders, mapping; reflection-framed) — ~25 marks
    • Section II — Elective 3: Reimagined Worlds critical essay (prescribed + related; estrangement and social critique) — ~25 marks
    • Skills — sustained creative craft, conceptual argument, integrated textual analysis under timed conditions — ~50 marks
  4. Practice Exam 450 marks · 2 questions · 2 sections
    • Section I — Common Module: Literary Worlds imaginative composition (interiority, memory, the resonant object) — ~25 marks
    • Section II — Elective 4: Literary Mindscapes critical essay (prescribed + related; unstable point of view and consciousness) — ~25 marks
    • Skills — interior-voice craft, sustained analytical argument, integrated close textual analysis under timed conditions — ~50 marks
  5. Practice Exam 550 marks · 2 questions · 2 sections
    • Section A - Imaginative/creative composition informed by the Common Module 'Literary Worlds'; respond to a stimulus on thresholds and transformation [U3 CM + U4 SK] — ~25 marks
    • Section B - Critical essay on the elective 'Worlds of Upheaval'; sustained analysis of how composers position responders amid disruption, using one prescribed text and one related text [U3 E2 + U4 SK] — ~25 marks
    • Whole-course craft: interplay of context, values, perspective and stylistic technique; controlled narrative shape and a precise, sophisticated critical register answering the specific question — embedded across both items
  6. Practice Exam 650 marks · 2 questions · 2 sections
    • Section A - Imaginative/creative composition informed by the Common Module 'Literary Worlds'; render an interior world (a 'mindscape') in response to a directive on memory and consciousness [U3 CM + U4 SK] — ~25 marks
    • Section B - Critical essay on the elective 'Literary Mindscapes'; sustained analysis of how composers construct interiority and shape responder empathy, using one prescribed text and one related text [U4 E4 + U4 SK] — ~25 marks
    • Whole-course craft: techniques of interiority (stream of consciousness, free indirect discourse, unreliable narration); accurate metalanguage, integrated quotation and a sophisticated, question-directed argument — embedded across both items
  7. Practice Exam 750 marks · 2 questions · 2 sections
    • Section A — Literary Worlds imaginative composition responding to a stimulus on belonging and the constructed nature of place (common module) — ~25 marks
    • Section B — critical essay on Elective 1: Literary Homelands, integrating one prescribed text and one related text on homeland, displacement and identity — ~25 marks
    • Composer's craft, conceptual sophistication and close textual analysis across an imaginative and a critical response — 50 marks total
  8. Practice Exam 850 marks · 2 questions · 2 sections
    • Section A — Literary Worlds imaginative composition responding to a directive on a world destabilised by sudden change (common module) — ~25 marks
    • Section B — critical essay on Elective 2: Worlds of Upheaval, integrating one prescribed text and one related text on crisis, survival and the response to turbulent change — ~25 marks
    • Composer's craft, conceptual sophistication and close textual analysis across an imaginative and a critical response — 50 marks total
  9. Practice Exam 950 marks · 2 questions · 2 sections
    • Section A — imaginative/creative composition: Literary Worlds common module, stimulus on a threshold/leaving image, with reflection [U3 AOS1 / U4 SK] — ~25 marks
    • Section B — critical essay on Elective: Literary Homelands; belonging, return and the impossibility of going home, using a prescribed text (Tóibín, Brooklyn) + one related text [U3 E1] — ~25 marks
    • Whole-course craft: composer's deliberate construction of a literary world, voice and figurative language, integrated quotation and metalanguage, sustained argument under timed conditions — 50 marks
  10. Practice Exam 1050 marks · 2 questions · 2 sections
    • Section A — imaginative/creative composition: Literary Worlds common module, directive to render an interior 'mindscape' across a single suspended moment, with reflection [U3 AOS1 / U4 SK] — ~25 marks
    • Section B — critical essay on Elective: Literary Mindscapes; consciousness, time and the unreliable inner world, using a prescribed text (Woolf, Mrs Dalloway) + one related text [U4 E4] — ~25 marks
    • Whole-course craft: interiority through stream of consciousness and free indirect discourse, the interplay of context/values/technique, integrated evidence and sustained conceptual argument under timed conditions — 50 marks
  11. Practice Exam 1150 marks · 2 questions · 2 sections
    • Section A - imaginative/creative composition informed by the Common Module: Literary Worlds (reimagining a known story from the silenced margin, with reflection) - ~25 marks
    • Section B - critical essay on Elective 3: Reimagined Worlds (appropriation, intertextuality and the dialogue between a source text and its transformation) using a prescribed text and a related text - ~25 marks
    • Whole-course coverage: Literary Worlds framework + Reimagined Worlds elective; sustained imaginative and critical responses under timed conditions - 50 marks
  12. Practice Exam 1250 marks · 2 questions · 2 sections
    • Section A - imaginative/creative composition informed by the Common Module: Literary Worlds (an interior 'mindscape' built from a single held moment, with reflection) - ~25 marks
    • Section B - critical essay on Elective 4: Literary Mindscapes (interiority, consciousness, memory and the rendering of subjective experience) using a prescribed text and a related text - ~25 marks
    • Whole-course coverage: Literary Worlds framework + Literary Mindscapes elective; sustained imaginative and critical responses under timed conditions - 50 marks
  13. Practice Exam 1350 marks · 2 questions · 2 sections
    • Section A - Imaginative/creative composition informed by the Common Module 'Literary Worlds'; respond to a stimulus on retelling and the silenced voice by reimagining a familiar literary world from a marginal perspective [U3 CM + U4 SK] — ~25 marks
    • Section B - Critical essay on the elective 'Reimagined Worlds'; sustained analysis of how appropriation and recontextualisation reframe meaning across time, using one prescribed text and one related text [U4 E3 + U4 SK] — ~25 marks
    • Whole-course craft: intertextuality, adaptation and the dialogue between source and reimagining; controlled voice, integrated quotation, accurate metalanguage and a precise, question-directed argument — embedded across both items
  14. Practice Exam 1450 marks · 2 questions · 2 sections
    • Section A - Imaginative/creative composition informed by the Common Module 'Literary Worlds'; respond to a stimulus on thresholds and contact zones by constructing a world where two realities meet [U3 CM + U4 SK] — ~25 marks
    • Section B - Critical essay on the elective 'Intersecting Worlds'; sustained analysis of how composers represent boundaries, hybridity and cross-cultural encounter, using one prescribed text and one related text [U4 E5 + U4 SK] — ~25 marks
    • Whole-course craft: the meeting and collision of worlds, perspectives and value systems; structural control of dual or braided perspectives, integrated quotation and a precise, question-directed argument — embedded across both items
  15. Practice Exam 1550 marks · 2 questions · 2 sections
    • Section A — imaginative/creative composition: Common Module: Literary Worlds; directive to construct a world at the meeting-point of two cultures/realities (a border, a translation, a contact zone), with reflection [3/CM, 4/SK] — ~25 marks
    • Section B — critical essay on Elective 5: Intersecting Worlds; hybridity, threshold and the negotiation of difference, using a prescribed text (Ondaatje, The English Patient) + one related text (Hamid, The Reluctant Fundamentalist) [4/E5] — ~25 marks
    • Whole-course craft: how composers construct and bridge distinct literary worlds; interplay of context, values, perspective and stylistic technique; integrated quotation, metalanguage and a sustained conceptual argument under timed conditions — 50 marks
  16. Practice Exam 1650 marks · 2 questions · 2 sections
    • Section A — imaginative/creative composition: Common Module: Literary Worlds; stimulus inviting a reimagining — give voice to a silenced or marginal figure from a known story/myth — with reflection [3/CM, 4/SK] — ~25 marks
    • Section B — critical essay on Elective 3: Reimagined Worlds; appropriation, intertextuality and the politics of retelling, using a prescribed text (Atwood, The Penelopiad) + one related text (Rhys, Wide Sargasso Sea) [4/E3] — ~25 marks
    • Whole-course craft: how recontextualising a source text reframes meaning and reflects shifting values; interplay of context, perspective and technique; integrated quotation, metalanguage and a sustained conceptual argument under timed conditions — 50 marks
  17. Practice Exam 1750 marks · 2 questions · 2 sections
    • Section A - Imaginative/creative composition informed by the Common Module 'Literary Worlds'; respond to a stimulus on the meeting of a human life and a stretch of land/sea, with a reflection [U3 CM + U4 SK] - ~25 marks
    • Section B - Critical essay on the elective 'Intersecting Worlds'; sustained analysis of how composers represent the intersection of human experience with the natural world, using one prescribed text (Proulx, The Shipping News) and one related text [U4 E5 + U4 SK] - ~25 marks
    • Whole-course craft: the deliberate construction of a literary world through setting-as-character, voice and figurative language; integrated quotation and metalanguage; sustained conceptual argument under timed conditions - 50 marks
  18. Practice Exam 1850 marks · 2 questions · 2 sections
    • Section A - Imaginative/creative composition informed by the Common Module 'Literary Worlds'; respond to a directive to reimagine the familiar world under one altered rule of reality, with a reflection [U3 CM + U4 SK] - ~25 marks
    • Section B - Critical essay on the elective 'Reimagined Worlds'; sustained analysis of how composers construct alternative realities that return responders to their own world, using one prescribed text (Calvino, If on a Winter's Night a Traveller) and one related text [U4 E3 + U4 SK] - ~25 marks
    • Whole-course craft: the construction of a literary world through metafiction, structure and voice; the interplay of context, values and technique; integrated evidence and sustained conceptual argument under timed conditions - 50 marks
  19. Practice Exam 1950 marks · 2 questions · 2 sections
    • Section A — imaginative/creative composition: Literary Worlds common module, stimulus directing a scene where two worlds meet at a single contested threshold, with reflection [U3 AOS1 / U4 SK] — ~25 marks
    • Section B — critical essay on Elective: Intersecting Worlds; the collision and negotiation of cultures, places and value systems, using a prescribed text (Proulx, The Shipping News) + one related text [U4 E5] — ~25 marks
    • Whole-course craft: deliberate construction of a literary world at the point of intersection, voice and figurative language, integrated quotation and metalanguage, sustained conceptual argument under timed conditions — 50 marks
  20. Practice Exam 2050 marks · 2 questions · 2 sections
    • Section A — imaginative/creative composition: Literary Worlds common module, directive to reimagine a familiar story, figure or world from a deliberately displaced perspective, with reflection [U3 AOS1 / U4 SK] — ~25 marks
    • Section B — critical essay on Elective: Reimagined Worlds; appropriation, intertextuality and the transformation of a source for new purposes, using a prescribed text (Le Guin, The Left Hand of Darkness) + one related text [U4 E3] — ~25 marks
    • Whole-course craft: the dialogue between source and reimagining, voice and figurative language, integrated quotation and metalanguage, sustained conceptual argument under timed conditions — 50 marks
Included in the HSC English Extension 1 Mastery Pack

20 full-length practice exams with worked solutions, 20 revision notes, 64 practice questions and 200 flashcards.

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English Extension 1 · 20 practice exams