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WACE · WACE Year 12 ATAR · official past papers

WACE English past exams 2020–2025, by year and topic

The official SCSA exams, marking guides and examiner reports we index, organised by topic and subtopic and labelled with the study design it was written under. Open the official paper, work the question in your own workspace, or bring a tutor into it live.

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ATARMAxxing indexes 12 official SCSA English papers from 2020 to 2025, with 3 questions mapped to 10 topics. Every paper opens on the SCSA website.

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Syllabus for teaching from 2027 (next) · 2027–presentSyllabus for teaching from 2025 (current) · 2025–2026Pre-2025 syllabus (superseded) · 2020–2024

WACE English exams by year: official papers & marking guidance

Past exams indexed: 2025, 2024, 2023, 2022, 2021, 2020. Open the official SCSA papers, with marking guidance where available.

YearStudy designOfficial paper(s)Marking guidance
2025 WACE English examSyllabus for teaching from 2025 (current)ATAR course examination ↗ · Ratified marking key ↗Marking guidance ↗
2024 WACE English examPre-2025 syllabus (superseded)ATAR course examination ↗ · Ratified marking key ↗Marking guidance ↗
2023 WACE English examPre-2025 syllabus (superseded)ATAR course examination ↗ · Ratified marking key ↗Marking guidance ↗
2022 WACE English examPre-2025 syllabus (superseded)ATAR course examination ↗ · Ratified marking key ↗Marking guidance ↗
2021 WACE English examPre-2025 syllabus (superseded)ATAR course examination ↗ · Ratified marking key ↗Marking guidance ↗
2020 WACE English examPre-2025 syllabus (superseded)ATAR course examination ↗ · Ratified marking key ↗Marking guidance ↗

12 official papers across 6 years (2020–2025), 6 with marking guidance, published by SCSA. These span more than one study design; the most recent is Syllabus for teaching from 2027 (next). Earlier papers may cover material that has since changed.

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Unit 3 — Analyse and critically appraise how the conventions of texts influence responses (engaging and responding) · 1 mapped question

Comprehending and analysing unseen written, visual and multimodal texts

  • 2025Syllabus for teaching from 2025 (current)ATAR course examination Section One — Comprehending (Q1 and Q2)30 marksTwo compulsory questions of equal weighting (15 marks each) on two unseen texts — one written, the second written, visual or multimodal, poetry and drama excluded — each answered concisely in approximately 200–300 words; one question can require comparison between the two texts.Official paper ↗Marking guidance ↗Check tutors for this question →

Also in this topic: the ways language patterns can create meaning · how expectations of genres have developed and the effect when those expectations are met or not met · how responses to texts and genres may change over time and in different cultural contexts — question-level mapping in progress; the year table above links every official paper.

Unit 4 — Evaluate different perspectives, attitudes and values represented in texts (language and textual analysis) · 1 mapped question

Extended analytical response on studied texts

  • 2025Syllabus for teaching from 2025 (current)ATAR course examination Section Two — Responding (one of six)40 marksOne extended response chosen from six questions, requiring analytical and critical thinking about studied texts — interpreting, analysing, comparing, contrasting, reflecting on and/or evaluating a studied text or texts, using any text or text type studied.Official paper ↗Marking guidance ↗Check tutors for this question →

Also in this topic: analysing content, purpose and choice of language · analysing the use of voice and narrative point of view · exploring other interpretations and aspects of context to develop a considered response — question-level mapping in progress; the year table above links every official paper.

Unit 4 — Create a range of texts (creating texts) · 1 mapped question

Sustained imaginative, interpretive or persuasive writing

  • 2025Syllabus for teaching from 2025 (current)ATAR course examination Section Three — Composing (one of five)30 marksOne sustained piece of original writing chosen from five prompts, requiring the candidate to select form(s) of writing appropriate to a specified audience, context and purpose; the prompts are not directly related to studied texts.Official paper ↗Marking guidance ↗Check tutors for this question →

Also in this topic: using appropriate language and stylistic features to sustain a personal voice and perspective · using nuanced language · synthesising ideas and opinions to develop complex argument · substantiating and justifying their own responses using textual evidence · using appropriate quotation and referencing protocols · using strategies for planning, drafting, editing and proofreading · using accurate spelling, punctuation, syntax and metalanguage — question-level mapping in progress; the year table above links every official paper.

The rest of the syllabus

Question-level mapping for these areas is still being verified. Every official paper covering them is in the year table above.

  • Unit 3 — Compare texts from similar or different genres and contexts (texts in contexts) — analysing language, structural and stylistic choices · explaining how each text conforms to or challenges the conventions of particular genres or modes · analysing and evaluating how similar themes, issues, ideas and concepts are treated in different texts
  • Unit 3 — Compare and contrast distinctive features of genres (language and textual analysis) — analysing the techniques and conventions used in different genres and modes · considering how the conventions of genres can be manipulated · examining how genres and their conventions have changed over time
  • Unit 3 — Create a range of texts (creating texts) — transforming and adapting texts for different purposes, contexts and audiences · making innovative and imaginative use of language features · using and experimenting with text structures and language features related to specific genres for particular effects · sustaining analysis and argument · using appropriate quotation and referencing protocols · using strategies for planning, drafting, editing and proofreading · using accurate spelling, punctuation, syntax and metalanguage
  • Unit 3 — Reflect on their own and others’ texts (reflecting) — analysing and evaluating how different texts represent similar ideas in different ways · comparing and evaluating the impact of language features used in a variety of texts and genres · considering the role of the audience in making meaning
  • Unit 4 — Investigate and evaluate the relationships between texts and contexts (texts in contexts) — undertaking close analysis of texts · examining how each text relates to a particular context or contexts · comparing the contexts in which texts are created and received
  • Unit 4 — Evaluate how texts offer perspectives (engaging and responding) — the selection of mode, genre and type of text · the ways viewpoints and values are represented · the selection of language features that generate empathy or controversy
  • Unit 4 — Reflect on their own and others’ texts (reflecting) — analysing and evaluating how different attitudes and perspectives underpin texts · questioning the assumptions and values in texts · identifying omissions, inclusions, emphases and marginalisations · discussing and evaluating different interpretations of texts

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