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VCE · VCE Units 3 & 4 · official past papers

VCE Art Making and Exhibiting past exams 2016–2025, by year and topic

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ATARMAxxing indexes 10 official VCAA Art Making and Exhibiting papers from 2016 to 2025, with 35 questions mapped to 8 areas of study. Every paper opens on the VCAA website.

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Art Making and Exhibiting SD From 2023 (current) · 2023–presentStudio Arts SD 2017–2022 (superseded study) · 2017–2022Studio Arts pre-2017 (VCAA archive) · 2010–2016

VCE Art Making and Exhibiting exams by year: official papers & marking guidance

Past exams indexed: 2025, 2024, 2023, 2022, 2021, 2020, 2019, 2018, 2017, 2016. Open the official VCAA papers, with marking guidance where available.

YearStudy designOfficial paper(s)Marking guidance
2025 VCE Art Making and Exhibiting examArt Making and Exhibiting SD From 2023 (current)Written examination ↗Marking guidance ↗
2024 VCE Art Making and Exhibiting examArt Making and Exhibiting SD From 2023 (current)Written examination ↗Marking guidance ↗
2023 VCE Art Making and Exhibiting examArt Making and Exhibiting SD From 2023 (current)Written examination ↗Marking guidance ↗
2022 VCE Art Making and Exhibiting examStudio Arts SD 2017–2022 (superseded study)Studio Arts written examination (superseded study) ↗Marking guidance ↗
2021 VCE Art Making and Exhibiting examStudio Arts SD 2017–2022 (superseded study)Studio Arts written examination (superseded study) ↗Marking guidance ↗
2020 VCE Art Making and Exhibiting examStudio Arts SD 2017–2022 (superseded study)Studio Arts written examination (superseded study) ↗Marking guidance ↗
2019 VCE Art Making and Exhibiting examStudio Arts SD 2017–2022 (superseded study)Studio Arts written examination (superseded study) ↗Marking guidance ↗
2018 VCE Art Making and Exhibiting examStudio Arts SD 2017–2022 (superseded study)Studio Arts written examination (superseded study) ↗Marking guidance ↗
2017 VCE Art Making and Exhibiting examStudio Arts SD 2017–2022 (superseded study)Studio Arts written examination (superseded study) ↗Marking guidance ↗
2016 VCE Art Making and Exhibiting examStudio Arts pre-2017 (VCAA archive)Studio Arts written examination (superseded study) ↗Marking guidance ↗

10 official papers across 10 years (2016–2025), 10 with marking guidance, published by VCAA. These span more than one study design; the most recent is Art Making and Exhibiting SD From 2023 (current). Earlier papers may cover material that has since changed.

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Unit 3, AOS 1 — Collect: inspirations, influences and images · 9 mapped questions

Art elements: tone

Art elements/principles: space

Materials, techniques and processes developing visual language

Art elements: colour

Art principles: movement

Materials, techniques and processes

Art principles: repetition

Aesthetic qualities

Also in this areas of study: Art elements: line, colour, shape, form, tone, texture, sound, time, light · Art principles: emphasis/focal point, movement, rhythm, unity, variety, space, repetition and pattern, balance, contrast, proportion, scale · Aesthetic qualities (study design definition) · Inherent characteristics and properties of materials in specific art forms · Techniques and processes in specific art forms · Subject matter and ideas developed from influences, inspiration and personal experience · Three researched artists and collected sources · Visual language and methods used to communicate ideas · Conceptualising and documenting art making in the Visual Arts journal · Art terminology in documentation and evaluation — question-level mapping in progress; the year table above links every official paper.

Unit 3, AOS 2 — Extend: make, critique and reflect · 3 mapped questions

Representation of ideas and communication of meaning

Influences and inspiration on subject matter and ideas

Visual language and communication of meaning

Also in this areas of study: Making artworks from influences, exploration, responses and reflection · Influences of artists and other inspiration on subject matter, ideas, techniques and style · Developing visual language to represent ideas and communicate meaning · Materials, techniques and processes used to make artworks · Progressive documentation and evaluation of art making · Preparing and presenting the Unit 3 critique · Using critique feedback to revise and further develop artworks — question-level mapping in progress; the year table above links every official paper.

Unit 3, AOS 3 — Connect: curate, design and propose · 11 mapped questions

Exhibition proposal for the three selected artists

Floor-plan presentation of artworks and a didactic panel

  • 2025Art Making and Exhibiting SD From 2023 (current)Written examination Section A Q8a4 marksSelects four of eight Insert artworks (drawing, photograph, video, ceramic, fashion, illustration, sculpture, 3D print) and places their numbers and a single didactic panel (D) on a scaled floor plan.Official paper ↗Marking guidance ↗Check tutors for this question →

Curatorial considerations and relationships between artworks

Developing didactic information

Floor-plan presentation of artworks

Proposing an exhibition from unseen artworks

  • 2024Art Making and Exhibiting SD From 2023 (current)Written examination Section B Q1010 marksUses three Insert artworks (still lifes across different decades and media) to propose an exhibition, identifying and analysing curatorial considerations and the relationships between the works.Official paper ↗Marking guidance ↗Check tutors for this question →
  • 2023Art Making and Exhibiting SD From 2023 (current)Written examination Section B Q1010 marksProposes an exhibition of three Insert artworks (photograph, oil painting, corrugated-iron installation): nominates a space, discusses thematic connections and suggests conservation methods needed on display.Official paper ↗Marking guidance ↗Check tutors for this question →

Curatorial considerations in an exhibition visited

Also in this areas of study: Characteristics of exhibitions · Characteristics of exhibition spaces: galleries, museums, other exhibition spaces, site-specific spaces · Responsibilities involved in curating an exhibition · Curatorial considerations and relationships between artworks and artists · Exhibition design: layout, sight lines, lighting, flow · Developing didactic information about artists and artworks · Strategies to plan and develop an exhibition in a specific space — question-level mapping in progress; the year table above links every official paper.

Unit 4, AOS 1 — Consolidate: refine and resolve · 3 mapped questions

Methods used to conserve and care for the materials of a specific art form

Methods used to resolve visual language

Also in this areas of study: Extending and resolving subject matter and ideas from Unit 3 · Refining and resolving visual language in at least one finished artwork · Applying materials, techniques and processes to a finished artwork · Progressive documentation of refinement and resolution · Reflecting on and evaluating art making and the finished artwork · Terminology for conservation and care of materials — question-level mapping in progress; the year table above links every official paper.

Unit 4, AOS 2 — Present: plan and critique · 3 mapped questions

Planning the display of your own finished artwork

Methods used to display artworks in a specific space

Also in this areas of study: Characteristics of the display of artworks in a specific space · Methods used to display finished artworks (positioning, fixtures, lighting, relationships) · Planning and documenting the display of your own finished artwork · Didactic information for your own work (artist's statement, overview) · Preparing and presenting the Unit 4 critique · Critically evaluating art making and explaining decisions in a critique · Presenting representation of ideas and communication of meaning in a finished artwork — question-level mapping in progress; the year table above links every official paper.

Unit 4, AOS 3 — Conserve: present and care · 6 mapped questions

Presentation, conservation and care on display in an exhibition visited

Conservation and care of a site-specific/outdoor artwork

Conservation and care compared with your own artwork

Conservation methods

Handling and transportation

Presentation and conservation considerations on display

Also in this areas of study: Presentation, conservation and care of artworks while on display · Conservation and care in handling, storage and transportation · Environmental controls: light (lux), temperature, relative humidity, pests, dust · Physical protection: framing and glazing, plinths, barriers, invigilation, crates, condition reports · Roles: curator, exhibition designer, conservator · Conservation methods applied to your own artwork on display and in storage · Comparison with artworks studied in exhibitions visited this year · Terminology for conservation and care — question-level mapping in progress; the year table above links every official paper.

The rest of the study design

Question-level mapping for these areas is still being verified. Every official paper covering them is in the year table above.

  • Unit 1, AOS 1–3 — Explore, expand and investigate (not examinable, foundational) — Explore: materials, techniques, processes and art forms (historical development, health and safety) · Expand: making and presenting at least one finished artwork on a set theme · Investigate: researching Australian artists, including Aboriginal and Torres Strait Islander artists, for a proposed exhibition
  • Unit 2, AOS 1–3 — Understand, develop and resolve (not examinable, foundational) — Understand: visiting a thematic exhibition and curating a six-work thematic exhibition · Develop: art elements, art principles, aesthetic qualities and style in experimental artworks · Resolve: refining ideas, subject matter and style in at least one finished artwork

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