Choosing and deploying specific artists and artworks as evidence

What this note covers

1. Why evidence is where the marks move
2. What counts as a 'specific' reference
3. Building an evidence portfolio with range
4. Critics and historians as secondary evidence
5. Integrating evidence into a paragraph
6. Making one case study answer many questions
7. How examiners read your evidence, and what lifts the band

7 sections · 12 key terms & formulas · 6 common mistakes